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Welcome to Super-Team Family: The Lost Issues! The greatest team-ups that never happened... but should have! A new cover is posted every single day! Thank you very much for stopping by! If you like what you see here, please consider helping it continue by becoming a Patron at: www.patreon.com/STFtheLostIssues A big thank you goes out to this month's patrons: Chuck Small, Tony Isabella, Tom Brennan, Mike Shirley, Bob Greenwade, Bob Sanders, Brian C., Robert Stutts, Allan Heinberg, David Welsh, Christopher Cavett, Robert E. Jackson, Ivan Schablotski, Scott Cavin, Sheryl Knowles, Leonard Rosenthol, Alfred Day, Greg Matiasevich, Scott Nesmith, Russell Burbage, Stephen Towler, Shagg Matthews, Damian Whiter, Jeff O'Hare, Justin Metzger, Greg Morrow, Darrell Frazier, Marc Tyler Nobleman, Benjamin Woods, Christian N, Greg, Thomas G. Hentoff, Andy Saavedra, Alexander Johnson, Tom Zilla, Jonothan Woodward, RJ, Colin Fredericks, Jim Smith, Juan Calle, Bo Ring, Michael Gelman, Robert Banning, Ken Roskos, and Alex Krislov
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10 comments:
I just want to know why Gold made a proximity-fused bomb at the end of his arms. Isn't the kablooey of one's own parts kind of an extreme solution? :D
I'm probably wrong. But, that looks like periodic Hulk-foe, the Missing Link, being ridden by the Mole Man. Did ML get Titano vision from a Subterranean vein of green k or something?
I'd say it's more likely one of those Lemurian Deviant-built robots.
I feel like a cameo from H.E.R.B.I.E. would have enhanced this one.
Mr Fantastic seems a natural here with him acting like some of the metal men being very fluid.
@Carycomic: Nah! Looks more like one of those Kryptonian rock robots from STF #1492 (the Darwyn Cooke tribute issue).
Very Cool cover !
It's the Plutonium Man from Metal Men #45.
Thanks, Bob. :-)
The Metal Men are one of those teams which, like the Doom Patrol and the Marvel Family, functioned so well in their time ... and which have resisted any attempt to reboot successfully. Perhaps certain properties are so much of their era that they need to be left alone, because they just don't work well in a more contemporary setting.
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